"The Unbearable Lightness of Being"

I just finished reading "The Unbearable Lightness of Being," a 1984 philosophical Czech novel by Milan Kundera. This novel is considered a modern classic in literature.

I found one interesting concept in the 6th chapter that I want to share with you. 

From Milan's words, "We all need someone to look at us. We can be divided into 4 categories according to the kind of look we wish to live under."

"The 1st category longs for the look of an infinite number of anonymous eyes, in other words, for the look of the public."

Think of celebrities and politicians.

"The 2nd category is made up of people who have a vital need to be looked at by many known eyes. They are the tireless hosts of cocktail parties and dinners. They are happier than the people in the first category, who, when they lose their public, have the feeling that the lights have gone out of the room of their lives. This happens to nearly all of them, sooner or later. People in this category, on the other hand, can always come up with the eyes they need." 

"The 3rd category is for people who need to be constantly before the eyes of the person they love. Their situation is as dangerous as the situation of people in the first category. One day the eyes of their beloved will close and the room will go dark."

"The 4th category, the rarest, is for people who live in the imaginary eyes of those who are not present. They are the dreamers."

Personally I think I belong to the 2nd category because I find comfort in being surrounded with the people I know--those who I trust, love, and care for. It gives me joy to entertain them at parties and spend time with them during travels, in coffee shops, or even via modern technologies.

My 2016 in Books, Films, and Theater

2016 edition of my annual recap:

BOOKS

1. "Before Sunrise & Before Sunset' - screenplays
2. "A Raisin in the Sun" - screenplay
3. "To Kill A Mockingbird" - novel
4. "Kill Your Darlings" - screenplay
5. "10 Short Plays" - plays
6. "Write Here. Write Now." - autobiography/memoir
7. "Steal Like An Artist" - autobiography/memoir
8. "Gagamba" - novel
9. "Humans of New York" - photography, anthology
10. "Of God and Men" - memoir
11. "Brokeback Mountain" - short stories
12. "Princess Maryam" - screenplay
13. "Waiting for Godot" - play
14. "Biography of Mother Theresa" 
15. "Martin Luther King Jr.: History Maker" - biography
16. "The Monk Who Sold His Ferrari" - novel, self-help
17. "The Vagina Monologues" - play
18. "Dear Distance" - short stories
19. "The Unbearable Lightness of Being" - novel
20. "Humans of New York Stories" - photography
21. "Letters from Father Christmas" - letters

MOVIES

Foreign

1. The Revenant - drama
2. Sisters - comedy
3. 50 First Dates - rom-com
4. Macbeth - drama
5. Room - drama
6. Pride and Prejudice and Zombies - action, comedy
7. Trumbo - drama
8. Diary of a Teenage Girl - drama
9. The Danish Girl - drama
10. Steve Jobs - drama
11. Kung Fu Panda 3 (because of my job!) - action, comedy, animation
12. Big Hero 6 - drama, comedy, animation
13. Eat. Pray. Love. - drama
14. Midnight in Paris - drama
15. Angry Birds (twice!) (because of my job!) - comedy, animation
16. X-Men:Apocalypse - action
17. Captain America: Civil War - action
18. Batman vs Superman: Dawn of Justice - action 
19. Families (from French Film Fest) - comedy
20. The Very Private Life of Mr. Sim (from French Film Fest) - drama, comedy
21. Dead Pool - action, comedy
22. Ant-Man - action
23. Kingsman: The Secret Service - action
24. Alice Through The Looking Glass - drama, fantasy
25. Guardians of the Galaxy - action, animation
26. Ghostbusters - comedy
27. Looking: The Movie - drama
28. Nerve - drama, suspense
29. Suicide Squad - action
30. Don't Think Twice - drama, comedy
31. Fantastic Beasts and Where to Find Them - fantasy
32. Sausage Party - comedy
33. Dr. Strange - action
34. Ms. Peregrine's Home for Peculiar Children - fantasy
35. Miss Saigon: 25th Anniversary Concert in cinemas - drama, musical
36. Across the Universe - drama, musical
37. Moana - animation, adventure, comedy
38. AMY - documentary

Local

1. Buy Now, Die Later - horror, suspense
2. Walang Forever - rom-com 
3. Just the 3 of Us - rom-com
4. Imbisibol (from French Film Fest) - drama
5. Imagine You and Me (because of my job!) - romance, drama
6. Lando at Bugoy (from Cinemalaya 12) - drama
7. Ang Babaeng Humayo - drama
8. Apocalypse Child - drama 
9. Ang Kwento Nating Dalawa - romance, drama
10. Toto - comedy
11. Kabisera - drama (#MMFF2016)
12. Saving Sally - animation, romance (#MMFF2016)
13. Ang Babae sa Septic Tank 2 - comedy (#MMFF2016)
14. Sunday Beauty Queen - documentary (#MMFF2016)

THEATER

1. Tanghalang Pilipino's "Prinispe Munti" - musical, puppetry, drama
2. "Open The Door" - political satire, comedy
3. Red Turnip Theater's "Constellations" - play
4. Tanghalang Pilipino's "Tito Vanya" - play
5. Virgin Labfest sets A-D
6. Tanghalang Pilipino's "Sandosenang Sapatos" - musical, drama
7. Tanghalang Pilipino's "Pangarap sa Isang Gabi sa Gitnang Tag-Araw" - play, tragedy-comedy
8. Ballet Manila's "Cinderella" - ballet

TV SERIES

1. How To Get Away With Murder (season 2, season 3 fall finale)
2. Empire (season 2, season 3 fall finale)
3. Mozart in the Jungle (seasons 1 and 2)
4. Looking (seasons 1 and 2)
5. Stranger Things (season 1)

"Borrowed Time"

Pixar brought us some of the most remarkable animated films like Inside Out, Wall-E, Finding Nemo (then Dory), Brave, and The Toy Story and Cars franchises, which made us yearning to be kids again! 

Unbeknown to many, behind the entertaining characters, fanciful production value, and mostly lighthearted storylines, are cartoonists who believe that animation is a genre not exclusive for, and defined, by kids.

Take the case of Lou Hamou-Lhadj and Andrew Coats, co-writers and co-directors of the award winning animated short film, "Borrowed Time." They have been generating a lot of attention recently for their story about "a weathered Sheriff who returns to the remains of an accident he has spent a lifetime trying to forget. With each step forward, the memories come flooding back. Faced with his mistake once again, he must find the strength to carry on."

This aptly titled six-minute film (which you can watch HERE) echoes the time tested principle that our time on earth is limited. So short that we need not spend it sulking over the past (i.e. things we could have done the other way; mistakes we could have avoided; and choices we wish we made).

To live with grief, remorse, and sorrow, is part of the 'moving on' process but if they consume you for the rest of your finite life, expect to become worse than your former self. 

Let us learn from the Sheriff who unintentionally faced his demon--his uninvited ghost--after all these years. He proved to us that no matter how hard the challenge was, how long it has been, and how old you've become, "you can turn things around.*" He also showed us that forgiveness is a generous gift that we can offer ourselves.

The best part about the short film is knowing that Lou and Andrew developed the story in a span of five years, collaborating between their breaks at Pixar to do something compelling and meaningful out of their 'borrowed time.' :)

If you want to learn more about the creators' motivation behind making the story, watch their interview on Vimeo, here.

*Part of the emotional speech of Joan Rivers when she won a Daytime Emmy for her morning show in 1990, few years after her lowest point inHollywood--following the cancellation of her Late Night show and the suicide of her husband. You can watch it HERE.

Gratitude List (part 2)

Never take for granted simple blessings and pleasant surprises. You never know when will they come back to you (if they will, at all.)

Here is my gratitude list (part 2)

• Free chocolate in the fridge - Do I need to explain how chocolates make our day? :)

• Cheap, quality cinema - Together with some college friends, I recently watched "Ang Babaeng Humayo" (The Woman Who Left), the four-hour epic of internationally acclaimed Filipino filmmaker Lav Diaz. The movie won the Golden Lion award (Best Picture) at the 73rd Venice International Film Festival. Ticket cost is P100 only when you watch it at the government funded Cinematheque Centre Manila.

My millennial friend, Hsam

It was my first Lav movie and I could say that he has a magical approach to cinema.The duration is extremely challenging for even seasoned moviegoers but he knows when to insert light parts to avoid crossing the lines of monotony and drag. 

When I watched it, I became prouder of our identity as storytellers but proudest for finishing it in one sitting! #ShowTheLav #ForTheLavOfCinema 

• Power Rangers 2017 movie trailer -  Yap, I belong to the millions of '90s kids who still dream of becoming a Power Ranger so to see the sneak peak of the new generation Rangers is beyond exciting. It's the next best thing to making my power induced dream come true. I bet it's safe to say that little girls dream of being a Disney princess while little boys aspire to be assigned one powerful color in the pack (mine is negotiable)!

• Agot Isidro - I thought nothing could beat the Power Rangers trailer until local actress Agot Isidro trended on social media because of her strong and unapologetic criticism of President Rodrigo Duterte. The rest of the country was like, "I never thought Agot can say those things" so she became the subject of thousands of smart-shaming and personal tirade from Duterte supporters. Way to go, Agot! As it is with democracy, everyone is entitled to their opinion. The unbearable noise in social media resulting from opposition with the current administration is the price that we, unsurprisingly, have to pay.

• Successful encore event for a client - After countless of preparatory meetings, and back-and-forths of plans and articles, I finally sealed one of my accounts at work and my clients were happy with our performance. Yaaassss!

• Volunteer experience at Ayala Museum - After what felt like an endless cycle of (cue Rihanna) work-work-work-work-work, I signed up to be an Ayala Museum volunteer so I can recharge on weekends and be surrounded with arts and culture--two things that make me happy most. My first task was to be an usher in Ambeth Ocampo's talk on Food in Philippine History. I gladly found out that Ayala Museum takes care of its volunteers and treat them--us--with food and freebies. Not to mention free entrance to the events we volunteered for :)

(From left) My co-volunteers Val, Arvee, and Sam. The cool Ambeth Ocampo does the peace sign.

I can keep going on with this list but I have to manage my time. 

More to come!

Let's Talk About Melodrama

Last week, I attended the talk "Iyakan at Sampalan: Melodrama in Philippine Cinema" by film historian and professor Nick Deocampo.

It was a 2-hour entertaining and informative talk made more engaging by the generous sharing and animated movements of Prof. Nick. 

Here are some of the most salient points from the lecture:

DEFINITION

Melodrama comes from the Greek Melos (song) and it denoted a stage play accompanied by music. It evolved to "drama with music (melos)," although in modern melodramas, music ceased to be an integral part.

Melodramas have stock characters (heroes, villains). Characters that are simply drawn, 1-dimensional or stereotyped.

Melodrama came to signify "a form of drama characterized by sensationalism, emotional intensity, hyperbole, strong action, violence, rhetorical excesses, moral polarities, brutal villainy, and its ultimate elimination, and the triumph of good." (Dissanayake)

POPULAR CHARACTERISTICS
-Woman's film
-Iyakan, Pang-aapi, Sampalan, Sabunutan, Tarayan, Higanti, Patayan, Ubusan ng lahi, Patawaran
-Pejoratively called tear-jerker
-Low form of entertainment drama

THREE ASPECTS TO FILM AND MELODRAMA

1. Melodrama gives prominence to the experiences, emotions, and activities of women. It provides a platform for women's voice.

2. Melodrama gives attention to fundamental issues of representation, role of ideology, and cultural construction.

3. Melodrama provides ways to illuminate the deeper structures of diverse cultures.

POPULAR EXAMPLES OF MELODRAMATIC FILMS
-Himala
-Bituing Walang Ningning
-Atsay
-Anak
-Brutal
-Hellow Soldier (Political Melodrama)
-Ganito Kami Noon, Paano Kayo Ngayon
-Bata, Bata, Paano Ka Ginawa
-The Flor Contemplacion Story
-Burlesque Queen
and a lot more (esp.from the 80s and 90s)

Visit this LINK to learn more about the upcoming talk of Prof. Nick in Ayala Museum. Trust me, listening to him is worth your while! :)

Another "Almost"

I just got back from MOWELFUND (Movie Workers Welfare Foundation) where I applied to be one of the fellows of CINE PANULAT 2016, the second edition of the free screenwriting laboratory founded and ran by acclaimed director and screenwriter Jun Lana.

I came in 15 minutes earlier than the call time. By 10 A.M., we were given a creative writing exercise which required us to write our biography in a maximum of five sentences and develop a scene with three people on the side of a bridge. 

Jun Lana made his message clear the moment he greeted us--only those who submitted an "okay" (meaning, good) write-up will be considered for the initial interview and those who did "good" will be endorsed to him for the final interview and selection.

About 80 applicants were shortlisted from a pool of--wait for it--410 submissions! 

Just before lunchtime, I took a risk and submitted my entry first. Direk Jun read it inside the small theater along with the other entries. I was filled with anxiety for more than two hours of waiting--Did I write good enough? Did he like it?

Fortunately I was called on for the initial interview with Direk Perci Intalan (Direk Jun's husband). I exerted every effort to be as honest as possible while talking to him (bordering on being an eager beaver, tbh) because I believe that as a writer, that should be a non-negotiable trait. 

But it wasn't enough. 

Not long after my interview, one of the volunteers thanked me and advised that they will just "contact me for any updates" which literally translates to "better luck next time."

Everything was alright, though. I knew the moment I sent my application that it was not going to be an easy ride. Direk was looking for amateur writers with writing background in movie, TV or theater, and I only had a single one-act play to show him. At least I tried and because of that, I can now sleep well.

The lesson I learned today: interviews and screening processes are all about perception. How? I can look at my situation in two ways: first, that I didn't make it to the Final 20; and second, that from 410 applicants, I made it to the shortlist then to the first round of interviews with about 50 remaining aspirants. I chose to be grateful and focus on the latter instead :)

Additionally because of the writing exercise, I will have a new blog entry :)

All is well. Opportunities are infinite but unfortunately this blog isn't, so...bye!